Thorsten Fleisch experiments in structuring visuals as visual structures. In his sonic and visual work he examines the material world of solid matter [ like blood, aluminium foil, human skin and crystals ] as the non-material abstract world of concepts and ideas [like four-dimensional geometry and computer coding] to create a universe of stimulating exercises in perception.
"What I eventually did was using the optical soundtrack it produced (the blood covered the whole filmstrip so I just had to turn the sound on to hear it) because I liked the sound it made and the concept of having the projector interpret my blood audio-visually rather than only visually _ it's more coherent that way."